Type design, lettering and editorial typography from a small press in Mexico City. Optimised for ink, calibrated for screen.
Every job moves through the press in three runs. Cyan, magenta, yellow — or, in studio shorthand, sketch, set, sign-off.
Pencil sketches in three optical sizes. Sign-off lives here, before any vector.
Vector cutting & spacing in InDesign — sample paragraphs typeset, kerning groups defined.
Letterpress proof on cotton. Final files & specimen sheet shipped together.
Rafael cut us a wordmark we still recognise from across a crowded room. Three years on, untouched.
The studio takes about twelve commissions a year. Families take longer; the calendar is honest.
Sereno 2.0 in proofs. Smaller counters, quieter terminals.
Speaking at TYPE Mexico City — 'On registration & restraint'.
Welcomed Elena Voss as text-companion designer.
Specimen Book Six on press in Bogotá — 1,200 copies.
Most jobs begin with a single word repeated. Drop a line — the studio will respond with a quoted alphabet, never a deck.